The Cuckoo's Calling - Страница 23

A small, fusty, grimy-floored lobby with shabby wooden paneling lay just inside the door. Two locked glass-paneled doors stood to left and right, affording him glimpses of a bare hall and a depressed-looking side room with a table full of leaflets, an old dartboard and a wall liberally peppered with holes. Straight ahead was a kiosk-like front desk, protected by another metal grille.

A gum-chewing woman behind the desk was reading a newspaper. She seemed suspicious and ill-disposed when Strike asked whether he could speak to a girl whose name was something like Rachel, and who had been a friend of Lula Landry’s.

“You a journalist?”

“No, I’m not; I’m a friend of a friend.”

“Should know her name, then, shouldn’t you?”

“Rachel? Raquelle? Something like that.”

A balding man strode into the kiosk behind the suspicious woman.

“I’m a private detective,” said Strike, raising his voice, and the bald man looked around, interested. “Here’s my card. I’ve been hired by Lula Landry’s brother, and I need to talk to—”

“Oh, you looking for Rochelle?” asked the bald man, approaching the grille. “She’s not here, pal. She left.”

His colleague, evincing some irritation at his willingness to talk to Strike, ceded her place at the counter and vanished from sight.

“When was this?”

“It’d be weeks now. Coupla months, even.”

“Any idea where she went?”

“No idea, mate. Probably sleeping rough again. She’s come and gone a good few times. She’s a difficult character. Mental health problems. Carrianne might know something though, hang on. Carrianne! Hey! Carrianne!”

The bloodless young girl with the scabbed lip came in out of the sunshine, her eyes narrowed.

“Wha’?”

“Rochelle, have you seen her?”

“Why would I wanna see that fuckin’ bitch?”

“So you haven’t seen her?” asked the bald man.

“No. Gorra fag?”

Strike gave her one; she put it behind her ear.

“She’s still round ’ere somewhere. Janine said she seen ’er,” said Carrianne. “Rochelle reckoned she’d gorra flat or some’t. Lying fuckin’ bitch. An’ Lula Landry left her ev’rything. Not. Whadd’ya want Rochelle for?” she asked Strike, and it was clear that she was wondering whether there was money in it, and whether she might do instead.

“Just to ask some questions.”

“Warrabout?”

“Lula Landry.”

“Oh,” said Carrianne, and her card-counting eyes flickered. “They weren’t such big fuckin’ mates. You don’t wanna believe everything Rochelle says, the lying bitch.”

“What did she lie about?” asked Strike.

“Fuckin’ everything. I reckon she stole half the stuff she pretended Landry bought ’er.”

“Come on, Carrianne,” said the bald man gently. “They were friends,” he told Strike. “Landry used to come and pick her up in her car. It caused,” he said, with a glance at Carrianne, “a bit of tension.”

“Not from me it fuckin’ didn’t,” snapped Carrianne. “I thought Landry was a fuckin’ jumped-up bitch. She weren’t even that good-lookin’.”

“Rochelle told me she’s got an aunt in Kilburn,” said the bald man.

“She dun gerron with ’er, though,” said the girl.

“Have you got a name or an address for the aunt?” asked Strike, but both shook their heads. “What’s Rochelle’s surname?”

“I don’t know; do you, Carrianne? We often know people just by their Christian names,” he told Strike.

There was little more to be gleaned from them. Rochelle had last stayed at the hostel more than two months previously. The bald man knew that she had attended an outpatients’ clinic at St. Thomas’s for a while, though he had no idea whether she still went.

“She’s had psychotic episodes. She’s on a lot of medication.”

“She didn’t give a shit when Lula died,” said Carrianne, suddenly. “She didn’t give a flying fuck.”

Both men looked at her. She shrugged, as one who has simply expressed an unpalatable truth.

“Listen, if Rochelle turns up again, will you give her my details and ask her to call me?”

Strike gave both of them cards, which they examined with interest. While their attention was thus engaged, he deftly twitched the gum-chewing woman’s News of the World out of the small opening at the bottom of the grille and stowed it under his arm. He then bade them both a cheerful goodbye, and left.

It was a warm spring afternoon. Strike strode on down towards Hammersmith Bridge, its pale sage-green paint and ornate gilding picturesque in the sun. A single swan bobbed along the Thames beside the far bank. The offices and shops seemed a hundred miles away. Turning right, he headed along the walkway beside the river wall and a line of low, riverside terraced buildings, some balconied or draped in wisteria.

Strike bought himself a pint in the Blue Anchor, and sat outside on a wooden bench with his face to the water and his back to the royal-blue and white frontage. Lighting a cigarette, he turned to page four of the paper, where a color photograph of Evan Duffield (head bowed, large bunch of white flowers in his hand, black coat flapping behind him) was surmounted by the headline: DUFFIELD’S DEATHBED VISIT TO LULA MOTHER.

The story was anodyne, really nothing more than an extended caption to the picture. The eyeliner and the flapping greatcoat, the slightly haunted, spaced-out expression, recalled Duffield’s appearance as he had headed towards his late girlfriend’s funeral. He was described, in the few lines of type below, as “troubled actor-musician Evan Duffield.”

Strike’s mobile vibrated in his pocket and he pulled it out. He had received a text message from an unfamiliar number.

News of the World page four Evan Duffield. Robin.

He grinned at the small screen before slipping the phone back in his pocket. The sun was warm on his head and shoulders. Seagulls cawed, wheeling overhead, and Strike, happily aware that he was due nowhere, and expected by no one, settled to read the paper from cover to cover on the sunny bench.

10

ROBIN STOOD SWAYING WITH THE REST of the tightly packed commuters on a northbound Bakerloo Tube train, everyone wearing the tense and doleful expressions appropriate to a Monday morning. She felt the phone in her coat pocket buzz, and extricated it with difficulty, her elbow pressing unpleasantly into some unspecified flabby portion of a suited, bad-breathed man beside her. When she saw that the message was from Strike, she felt momentarily excited, nearly as excited as she had been to see Duffield in the paper yesterday. Then she scrolled down, and read:

Out. Key behind cistern of toilet. Strike.

She did not force the phone back into her pocket, but continued to clutch it as the train rattled on through dark tunnels, and she tried not to breathe in the flabby man’s halitosis. She was disgruntled. The previous day, she and Matthew had eaten lunch, in company with two university friends of Matthew’s, at his favorite gastropub, the Windmill on the Common. When Robin had spotted the picture of Evan Duffield in an open copy of the News of the World at a nearby table, she had made a breathless excuse, right in the middle of one of Matthew’s stories, and hurried outside to text Strike.

Matthew had said, later, that she had shown bad manners, and even worse not to explain what she was up to, in favor of maintaining that ludicrous air of mystery.

Robin gripped the hand strap tightly, and as the train slowed, and her heavy neighbor leaned into her, she felt both a little foolish, and resentful towards the two men, most particularly the detective, who was evidently uninterested in the unusual movements of Lula Landry’s ex-boyfriend.

By the time she had marched through the usual chaos and debris to Denmark Street, extracted the key from behind the cistern as instructed, and been snubbed yet again by a superior-sounding girl in Freddie Bestigui’s office, Robin was in a thoroughly bad temper.

Though he did not know it, Strike was, at that very moment, passing the scene of the most romantic moments of Robin’s life. The steps below the statue of Eros were swarming with Italian teenagers this morning, as Strike went by on the St. James’s side, heading for Glasshouse Street.

The entrance to Barrack, the nightclub which had so pleased Deeby Macc that he had remained there for hours, fresh off the plane from Los Angeles, was only a short walk from Piccadilly Circus. The facade looked as if it was made out of industrial concrete, and the name was picked out in shining black letters, vertically placed. The club extended up over four floors. As Strike had expected, its doorway was surmounted by CCTV cameras, whose range, he thought, would cover most of the street. He walked around the building, noting the fire exits, and making for himself a rough sketch of the area.

After a second long internet session the previous evening, Strike felt that he had a thorough grasp of the subject of Deeby Macc’s publicly declared interest in Lula Landry. The rapper had mentioned the model in the lyrics of three tracks, on two separate albums; he had also spoken about her in interviews as his ideal woman and soul mate. It was difficult to gauge how seriously Macc intended to be taken when he made these comments; allowance had to be made, in all the print interviews Strike had read, firstly for the rapper’s sense of humor, which was both dry and sly, and secondly for the awe tinged with fear every interviewer seemed to feel when confronted with him.