Strike had then telephoned her for a third time, and told her that he believed his investigation to be in its final phase, after which evidence would be laid to the police, resulting, he had no doubt, in a further explosion of publicity. Now that he came to think about it, he said, if she was unable to help, it might be just as well for her to be protected from another deluge of press inquiry. Marlene Higson had immediately clamored for her right to tell everything she knew, and Strike condescended to meet her, as she had already suggested, in the beer garden of the Ordnance Arms on Monday morning.
He took the train out to Canning Town station. It was overlooked by Canary Wharf, whose sleek, futuristic buildings resembled a series of gleaming metal blocks on the horizon; their size, like that of the national debt, impossible to gauge from such a distance. But a few minutes’ walk later, he was as far from the shining, suited corporate world as it was possible to be. Crammed up alongside dockside developments where many of those financiers lived in neat designer pods, Canning Town exhaled poverty and deprivation. Strike knew it of old, because it had once been home to the old friend who had given him Brett Fearney’s location. Down Barking Road he walked, his back to Canary Wharf, past a building with a sign that advertised “Kills 4 Communities,” at which he frowned for a moment before realizing that somebody had swiped the “S.”
The Ordnance Arms sat beside the English Pawnbroking Company Ltd. It was a large, low-slung, off-white-painted pub. The interior was no-nonsense and utilitarian, with a selection of wooden clocks on a terracotta-colored wall and a lividly patterned piece of red carpet the only gesture to anything as frivolous as decoration. Otherwise, there were two large pool tables, a long and accessible bar and plenty of empty space for milling drinkers. Just now, at eleven in the morning, it was empty except for one little old man in the corner and a cheery serving girl, who addressed her only customer as “Joey” and gave Strike directions through the back.
The beer garden turned out to be the grimmest of concrete backyards, containing bins and a solitary wooden table, at which a woman was sitting on a white plastic chair, with her fat legs crossed and her cigarette held at right angles to her cheek. There was barbed wire on top of the high wall, and a plastic bag had caught in it and was rustling in the breeze. Beyond the wall there rose a vast block of flats, yellow-painted and with evidence of squalor bulging over many of the balconies.
“Mrs. Higson?”
“Call me Marlene, love.”
She looked him up and down, with a slack smile and a knowing gaze. She was wearing a pink Lycra vest top under a zip-up gray hoodie, and leggings that ended inches above her bare gray-white ankles. There were grubby flip-flops on her feet and many gold rings on her fingers; her yellow hair, with its inches of graying brown root, was pulled back into a dirty toweling scrunchie.
“Can I get you a drink?”
“I’ll have a pint of Carling, if you twist my arm.”
The way she bent her body towards him, the way she pushed straw-like strands of hair out of her pouchy eyes, even the way she held her cigarette; all were grotesquely coquettish. Perhaps she knew no other way of relating to anything male. Strike found her simultaneously pathetic and repulsive.
“Shock?” said Marlene Higson, after Strike had bought them both beer, and joined her at the table. “You can say that again, when I’d gave ’er up for lost. It near broke my ’eart when she wen’, but I fort I was giving ’er a better life. I wouldna ’ad the strenf to do it uvverwise. Fort I was giving ’er all the fings I never ’ad. I grew up poor, proper poor. We ’ad nothing. Nothing.”
She looked away from him, drawing hard on her Rothman’s; when her mouth puckered into hard little lines around the cigarette, it looked like a cat’s anus.
“And Dez, me boyfriend, see, wasn’t too keen—you know, with ’er being colored, it were obvious she weren’t ’is. They go darker, see; when she were born, she looked white. But I still never woulda given ’er up if I ’adn’t seen a chance for ’er to get a better life, and I fort, she won’t miss me, she’s too young. I’ve gave ’er a good start, and mebbe, when she’s older, she’ll come and find me. And me dream come true,” she added, with a ghastly show of pathos. “She come’n’ found me.
“I’ll tell you somefing reely strange, right,” she said, without drawing breath. “A man friend of mine says to me, just a week before I got the call from ’er, ‘You know ’oo you look like?’ he says. I says, ‘Dahn be ser silly,’ but he says, ‘Straight up. Across the eyes, and the shape of the eyebrows, y’know?’ ”
She looked hopefully at Strike, who could not bring himself to respond. It seemed impossible that the face of Nefertiti could have sprung from this gray and purple mess.
“You can see it in photos of me when I were younger,” she said, with a hint of pique. “Point is, I fort I was giving her a better life, and then they went an’ give her to those bastards, pardon my language. If I’d’a known, I’d of kept ’er, and I told ’er that. That made ’er cry. I’d of kept her and never let ’er go.
“Oh yeah. She talked to me. It all poured out. She got on all right wiv the father, with S’Ralec. He sounded all right. The mother’s a right mad bitch, though. Oh yeah. Pills. Poppin’ pills. Fackin’ rich bitches takin’ pills f’ their fackin’ nerves. Lula could talk to me, see. Well, it’s a bond, innit. You can’ break it, blood.
“She was scared what that bitch’d do, if she found out Lula was lookin’ for ’er real mum. She was proper worried about what the cow was gonna do when the press found out about me, but there you are, when yore famous like she was, they find out ev’rythin’, don’ they? Oh, the lies they tell, though. Some o’ the things they said abaht me, I’m still thinkin’ o’ suin’.
“What was I sayin’? ’Er mother, yeah. I says to Lula, ‘Why worry, love, sounds to me like you’re better off wivout ’er anyway. Let ’er be pissed off if she don’ want us to see each uvver.’ But she was a good girl, Lula, an’ she kep’ visitin’ ’er, outta duty.
“Anyway, she ’ad ’er own life, she was free to do what she wanted, weren’ she? She ’ad Evan, a man of ’er own. I told ’er I disapproved, mind,” said Marlene Higson, with a pantomime of strictness. “Oh yeah. Drugs, I’ve seen too many go that way. But I ’ave to admit, ’e’s a sweet boy underneath. I ’ave to admit that. He di’n’t have nothin’ to do wiv it. I can tell ya that.”
“Met him, did you?”
“No, but she called ’im once while she was with me and I ’eard them on the phone togevver, and they were a lovely couple. No, I got nuthin’ bad to say about Evan. ’E ’ad nuthin’ to do with it, that’s proved. No, I’ve got nuthin’ bad to say about ’im. As long as ’e’d of gone clean, ’e’d of ’ad my blessing. I said to ’er, ‘Bring ’im along, see wevver I approve,’ but she never. ’E was always busy. ’E’s a lovely-lookin’ boy, under all that ’air,” said Marlene. “You can see it in all ’is photos.”
“Did she talk to you about her neighbors?”
“Oh, that Fred Beastigwee? Yeah, she told me all about ’im, offerin’ ’er parts hin ’is films. I said to ’er, why not? It might be a larf. Even if she ’adn’t liked it, it woulda bin, what, another ’arf mill in the bank?”
Her bloodshot eyes squinted at nothing; she seemed momentarily mesmerized, lost in contemplation of sums so vast and dazzling that they were beyond her ken, like an image of infinity. Merely to speak of them was to taste the power of money, to roll dreams of wealth around her mouth.
“Did you ever hear her talk about Guy Somé?”
“Oh yeah, she liked Gee, ’e was good to ’er. Person’lly, I prefer more classic things. It’s not my kinda style.”
The shocking-pink Lycra, tight on the rolls of fat spilling over the waistband of her leggings, rippled as she leaned forward to tap her cigarette delicately into the ashtray.
“‘ ’E’s like a brother to me,’ she sez, an’ I sez, never mind pretend brothers, why don’t we try an’ find my boys togevver? But she weren’t int’rested.”
“Your boys?”
“Me sons, me ovver kids. Yeah, I ’ad two more after ’er: one wiv Dez, an’ then later there wuz another one. Social Services took ’em off me, but I sez to ’er, wiv your money we could find ’em, gimme a bit, not much, I dunno, coupla grand, an’ I’ll try an’ get someone to find ’em, keep it quiet from the press, I’ll ’andle it, I’ll keep you out of it. But she weren’ interested,” repeated Marlene.
“Do you know where your sons are?”
“They took ’em as babies, I dunno where they are now. I was havin’ problems. I ain’t gonna lie to ya, I’ve had a bloody hard life.”
And she told him, at length, about her hard life. It was a sordid story littered with violent men, with addiction and ignorance, neglect and poverty, and an animal instinct for survival that jettisoned babies in its wake, for they demanded skills that Marlene had never developed.
“So you don’t know where your two sons are now?” Strike repeated, twenty minutes later.
“No, how the fuck could I?” said Marlene, who had talked herself into bitterness. “She weren’ int’rested anyway. She already had a white brother, di’n’t she? She wuz after black family. That’s what she reely wanted.”